Saturday, 5 February 2022

MY STORYBOARD

My Storyboard.

(My section, 28 - 42)


Working Title: The Will Production Company: Meadow Hill Pictures


Shot No: 28  Location: Beatrice Webb Garden House, workbench Action: The man takes off his gloves, takes a seat and smokes a cigarette in response to his growing anxiety; he reflects upon the situation and is attempting to regain composure before continuing with the process. Shot/Movement: A mid shot; the man is taking up approximately half of the frame, whilst the other half is the woman tied up. However, this could be changed to extreme close ups of his cigarette. Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), and the sound effects of the cigarette Lighting: Shadowed Edit Transition Timing: This shot would be significantly longer than any of the previous ones as it represents a moment of self-doubt, and contrasts the seemingly flowing preparation process that has taken place thus far. The edits into and out of this shot would be a simple, medium paced cut.

Shot No: 29 Location: Beatrice Webb Garden House, the chair Action: The woman is watching the man at the window. Shot/Movement: over the shoulder shot; the woman composes half of the frame, man is the other Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo) Lighting: Shadowed Edit Transition Timing: Short feature, so a slightly faster than average paced transition.




Shot No: 30 Location: Beatrice Webb Garden House, workbench Action: The man puts out his cigarette and walks over to the poison Shot/Movement: extreme close up of the ash tray Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo) Lighting: Shadowed by light source directly behind Edit Transition Timing: Short feature, so a slightly faster than average paced transition.




Shot No: 31 Location: Beatrice Webb Garden House, workbench Action: The man picks up the prepared poison and walks over to the woman Shot/Movement: pan right to left (tilted needs to be tested on the cameras); the woman composes half of the frame, man is the other Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo) Lighting: Shadowed Edit Transition Timing: long, is an establishment of the space and the action



Shot No: 32 Location: Beatrice Webb Garden House, the chair Action: The woman’s eyes are distressed as she realises the man is nearing her Shot/Movement: extreme close up of her eyes, slightly tilted Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo) Lighting: normal lighting (will be darker due to the space) Edit Transition Timing: Short feature, so a slightly faster than average paced transition.




Shot No: 33 Location: Beatrice Webb Garden House, the chair Action: Silhouette of the man as he walks towards the woman Shot/Movement: POV shot, handheld Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo) Lighting: Shadowed by light source directly behind Edit Transition Timing: average pace





Shot No: 34 Location: Beatrice Webb Garden House, the chair Action: The woman’s hands struggling as she realises the man is nearing Shot/Movement: close up Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), sound effects of struggling Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: Short feature, so extremely quick transition (quick cuts between different shots)



Shot No: 35 Location: Beatrice Webb Garden House, the chair Action: The woman’s feet struggling as she realises the man is nearing Shot/Movement: close up, on level with her foot Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), sound effects of struggling Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: Short feature, so extremely quick transition (quick cuts between different shots)



Shot No: 36 Location: Beatrice Webb Garden House, the workbench Action: Vinyl spinning Shot/Movement: close up Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo) Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: Short feature, so extremely quick transition (quick cuts between different shots)




Shot No: 37 Location: Beatrice Webb Garden House, the chair Action: Tears rolling down the woman’s eyes, wide Shot/Movement: extreme close up, preferably from a lower angle Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), sound effects of struggling Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: Short feature, so extremely quick transition (quick cuts between different shots)



Shot No: 38 Location: Beatrice Webb Garden House, the chair Action: The man pouring the poison into the funnel Shot/Movement: mid shot  Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), sound effects of struggling Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: average pace




Shot No: 39 Location: Beatrice Webb Garden House, the chair Action: The man watches the woman choke Shot/Movement: over the shoulder shot Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), sound effects of choking Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: average pace





Shot No: 40 Location: Beatrice Webb Garden House, the chair Action: The poison spilling over/bubbling in the funnel Shot/Movement: extreme close up Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), sound effects of choking Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: Faster than average but not short 



Shot No: 41 Location: Beatrice Webb Garden House, the chair Action: The woman’s eyes gradually getting weaker Shot/Movement: extreme close up, tilted slightly Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), sound effects of struggling Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: Same pace as previous shot (faster than average but not short)


Shot No: 42 Location: Beatrice Webb Garden House, the chair Action: The woman’s hands stop struggling and go limp  Shot/Movement: close up Sound: The soundtrack picked (as of currently it is Kurt Cobain’s Sappy demo), would preferably cut to black at the same time as the song reaches a pause or ending of a section Lighting: normal lighting but will be slightly darker due to the space Edit Transition Timing: Same pace as previous shot (faster than average but not short)


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THE FINAL SEQUENCE

 The Final Sequence. Our final product: